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01 The Language of Music
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A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer
writes a work, but no one can hear it until it is performed. Professional singers and players
have great responsibilities, for the composer is utterly dependent on them. A student of
music needs as long and as arduous（艰辛地） a training to become a performer as a medical
student needs to become a doctor. Most training is concerned with technique, for musicians
have to have the muscular proficiency of an athlete or a ballet dancer. Singers practice
breathing every day, as their vocal（声音地） chords（和音） would be inadequate without
controlled muscular support. String players practice moving the fingers of the left hand up
and down, while drawing the bow to and fro with the right arm—two entirely different
movements.
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Singers and instruments have to be able to(能够祭祖母文经典范文，可以) get every note perfectly in tune.
Pianists are spared this particular anxiety, for the notes are already there, waiting for
them, and it is the piano tuner’s responsibility to tune the instrument for them. But they
have their own difficulties; the hammers that hit the string have to be coaxed not to sound
like percussion, and each overlapping tone has to sound clear.
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This problem of getting clear texture is one that confronts student conductors: they have to
learn to know every note of the music and how it should sound, and they have to aim at
controlling these sound with fanatical(狂热地) but selfless authority. （with A but B,是A而不
是B）
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Technique is of no use unless it is combined with musical knowledge and understanding. Great
artists are those who are so thoroughly at home in the language of music that they can enjoy
performing works written in any century.
转自：在线学习之家
Elearning.bookfm.com
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